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In-person theory-and-practice workshop – Saturday, October 31

Looking at Animation: Tools for Film Criticism

Film Criticism Workshop.

By Rocío Frías

WHAT IS IT ABOUT?

In this workshop, we will explore tools for developing a critical perspective on animated cinema, focusing specifically on elements that enable us to analyze—rather than merely review—animated films. We will discuss arguments based on character design, the use of color, composition, textures, rhythm, sound, and world-building. Through the analysis of excerpts from various animated films, participants will learn to identify formal and narrative choices, as well as philosophical concepts, and translate them into arguments for critical analysis.

Educational Objectives:
  • To develop a critical and analytical perspective on contemporary animated cinema, exploring its aesthetic and thematic approaches through various theoretical lenses.

  • To provide participants with an accessible methodology for analyzing and writing about animated films, incorporating tools for film analysis and fostering the development of an individual critical voice.

CONTENT

Module 1 – What does it mean to critique an animated film?: A discussion on the distinctions between personal opinion, reviews, and film analysis.

Module 2 – How do you analyze an animated film?: An examination of various elements, including characters, settings, color, lighting, composition, animation techniques, and the relationship between aesthetics and narrative.

Module 3 – From Film Frame to Argument: Short film clips are screened, followed by a collective exercise. The goal is to learn how to move from visual observation to interpretation.

Module 4 – Writing Exercise: Each participant selects one of the clips explored and writes a short critical paragraph (150–200 words). Afterward, some of these texts are read aloud, and the group provides feedback.

MODE
In Person

LANGUAGE
Spanish

WHO IS IT FOR?

The workshop is aimed at students of Communication, Audiovisual Communication, Film, Journalism, and Film Criticism, as well as filmmakers, animators, screenwriters, producers, and other audiovisual professionals interested in deepening their skills in film analysis and criticism. It is also open to the general public and anyone interested in exploring new ways of viewing, analyzing, and reflecting on animated cinema.

Level: Beginner/Intermediate. Ages 16 and up.

WHEN?

Saturday, October 31, from 2:00 PM to 4:00 PM (GMT -3)

Duration: 2 hours

REQUIREMENTS

An interest in animated film and a willingness to participate in analysis and reflection activities. It is recommended to have materials on hand for taking notes during the workshop. No prior experience in critical writing or audiovisual production is required.

VALUE OF THE WORKSHOP

ARS 15,0000

. .

MEANS OF PAYMENT: 

– Argentina:

Banco Francés

Account number: Peso savings account 30555/9

Branch: 111

CBU number: 0170111740000003055593

Alias: BARBARACERRO

Account holder: Bárbara Cerro

Document: DNI – 31925520

HOW DO I REGISTER?

Fill out the FORM and send proof of payment to: produccion@bitbangfest.com with the subject line “Pago – Taller Crítica – Firstname_Lastname”.

To secure your spot in the workshop, please pay the fee and send us the proof of payment. Space is limited.

REGISTRATION

Data marked with * (asterisk) are mandatory.

✦✧★❆❈➤➣ 

ROCÍO FRÍAS

Rocío Frías (1987) holds a degree in Combined Arts (FFyL – UBA) and is a qualified educator in the same field; she is currently pursuing a Master’s degree in Cultural and Creative Sector Management (FCE-UBA). She serves as a Content Editor for KUBO Latam (formerly Peliplat), where she develops content strategies focused on audiovisual analysis for the platform. Her professional background includes roles as an audiovisual producer, a project manager for distribution services in the film industry, and a coordinator of media management and digital operations for international streaming platforms.

CONTACT

For inquiries, please write to produccion@bitbangfest.com

No refunds will be issued to those who have registered but are unable to participate.